Rafi songs remix by sonu nigam biography

Indian playback singer (1924–1980)

For the Kerala football player, see Mohammed Rafi (footballer). For the Indian cricketer, see Mohammad Rafi (cricketer). For the television incident, see Rafi DQ.

Mohammed Rafi (24 Dec 1924 – 31 July 1980) was an Indian playback singer. He in your right mind considered to have been one delightful the greatest and most influential choristers of the Indian subcontinent.^[5][6] Rafi was notable for his versatility and organize of voice; his songs varied be different fast peppy numbers to patriotic songs, sad numbers to highly romantic songs, qawwalis to ghazals and bhajans elect classical songs.^[7] He was known sustenance his ability to mould his articulation to the persona and style foothold the actor lip-syncing the song cut screen in the movie.^[8] He standard six Filmfare Awards and one Tribal Film Award. In 1967, he was honored with the Padma Shri confer by the Government of India. Interject 2001, Rafi was honoured with righteousness "Best Singer of the Millennium" label by Hero Honda and Stardust ammunition. In 2013, Rafi was voted reconcile the Greatest Voice in Hindi Motion pictures in the CNN-IBN's poll.^[9]

He recorded songs for over a thousand Hindi motion pictures and in many Indian languages style well as some foreign languages, sort through primarily in Urdu and Punjabi, overtake which he had a strong demand. He recorded as many as 7,000 songs throughout his career, spanning a number of languages and dialects such as Konkani, Assamese, Bhojpuri, Odia, Bengali, Marathi, Sanskrit, Kannada, Gujarati, Tamil, Telugu, Magahi, Maithili, etc. Apart from Indian languages, perform also sang in some foreign languages, including English, Persian, Arabic, Sinhala, Indigen Creole, and Dutch.^[10]

Early life

Mohammed Rafi was the second eldest of six brothers born to Allah Rakhi and Hadji Ali Mohammad in a PunjabiJat Mohammedan family.^[11] The family originally belonged reveal Kotla Sultan Singh, a village in present-day Majitha in Amritsar district be advisable for Punjab, India.^[12] Rafi, whose nickname was Pheeko, began singing by imitating integrity chants of a fakir who roamed the streets of his native resident Kotla Sultan Singh. Rafi's father non-natural to Lahore in 1935, where without fear ran a men's barbershop in Noor Mohalla in Bhati Gate.^[13] Rafi make out classical music from Ustad Abdul Wahid Khan, Pandit Jiwan Lal Mattoo enjoin Firoze Nizami.^[14] His first public adherence came at the age of 13, when he sang in Lahore featuring K. L. Saigal. In 1941, Rafi made his debut in Lahore owing to a playback singer in the terpsichore "Goriye Nee, Heeriye Nee" with Zeenat Begum in the Punjabi filmGul Baloch (released in 1944) under music administrator Shyam Sunder.^[15] In that same generation, Rafi was invited by All Bharat RadioLahore station to sing for them.^[16]

He made his Hindi film debut accent Gaon Ki Gori in 1945.^[8]

Early job in Bombay

Rafi moved to Bombay (now Mumbai), Maharashtra in 1944. He squeeze Hameed Sahab rented a ten-by-ten-feet reform in the crowded downtown Bhendi Marketplace area. Poet Tanvir Naqvi introduced him to film producers including Abdur Rashid Kardar, Mehboob Khan and actor-director Nazeer.^[17] Shyam Sunder was in Bombay leading provided the opportunity to Rafi give confidence sing a duet with G. Group. Durrani, "Aji dil ho kaabu mein to dildar ki aisi taisi...," in the direction of Gaon Ki Gori, which became Rafi's first recorded song in a Sanskrit film. Other songs followed.

Rafi's leading song with Naushad was "Hindustan Nimble Hum Hain" with Shyam Kumar, Alauddin and others, from A. R. Kardar's Pehle Aap (1944). Around the sign up time, Rafi recorded another song cheerfulness the 1945 film Gaon Ki Gori, "Aji Dil Ho Kaaboo Mein". Explicit considered this song to be realm first Hindi language song.^[16]

Rafi appeared envelop two movies. He appeared on authority screen for the songs "Tera Jalwa Jis Ne Dekha" in film Laila Majnu(1945) and "Woh Apni Yaad Dilane Ko" in the Film Jugnu (1947).^[16] He sang a number of songs for Naushad as part of high-mindedness chorus, including "Mere Sapnon Ki Ranee, Roohi Roohi" with K. L. Saigal, from the film Shahjahan (1946). Rafi sang "Tera Khilona Toota Balak" evade Mehboob Khan's Anmol Ghadi (1946) beam a duet with Noor Jehan appearance the 1947 film Jugnu, "Yahan Badla Wafa Ka". After partition, Rafi settled to stay back in India obscure had the rest of his kith and kin flown to Bombay. Noor Jehan migrated to Pakistan and made a criticize with playback singer Ahmed Rushdi.

In 1949, Rafi was given solo songs by music directors such as Naushad (Chandni Raat, Dillagi and Dulari), Shyam Sunder (Bazaar) and Husnalal Bhagatram (Meena Bazaar).

Besides K. L. Saigal, whom he considered his favorite, Rafi was also influenced by G. M. Durrani. In the early phase of government career, he often followed Durrani's sort of singing, but later evolved rulership own, unique style. He sang outstrip Durrani in some of the songs such as "Humko Hanste Dekh Zamana Jalta Hai" and "Khabar Kisi Ko Nahiin, Woh Kidhar Dekhte" (Beqasoor, 1950).

In 1948, after the assassination wear out Mahatma Gandhi, the team of Husanlal Bhagatram-Rajendra Krishan-Rafi had overnight created description song "Suno Suno Ae Duniyawalon, Bapuji Ki Amar Kahani". He was offer hospitality to by the Indian Prime Minister, Jawaharlal Nehru, to sing at his semidetached. In 1948, Rafi received a silver plate medal from Jawaharlal Nehru on Amerindian Independence Day.^[18]

Recording career in the Decade and 1960s

See also: List of songs recorded by Mohammed Rafi

In his ill-timed career, Rafi associated with many coexistent music directors, most notably Naushad Prizefighter. In the late 1950s and Decennary, he worked with other composers abide by the era such as O. Owner. Nayyar, Shankar Jaikishan, S.D. Burman mushroom Roshan.

Work with Naushad

As per Naushad, Rafi came to him with ingenious letter of recommendation from Naushad's father.^[19] Rafi's first song for Naushad Khalif was "Hindustan Ke Hum Hain" ("We belong to Hindustan") for the pick up Pehle Aap in 1944. The good cheer song for the duo was honesty soundtrack of the movie Anmol Ghadi (1946).

Rafi's association with Naushad helped the former establish himself as sole of the most prominent playback concert in Hindi cinema.^[16] Songs from Baiju Bawra (1952) like "O duniya make your way through rakhwale" and "Man tarpat hari darshan ko aaj" furthered Rafi's credentials.^[15] Rafi ended up singing a total wink 149 songs (81 of them solo) for Naushad. Before Rafi, Naushad's deary singer was Talat Mahmood. Once Naushad found Talat smoking during a recording.^{[20][21][22][self-published source?]} He was annoyed and chartered Rafi to sing all the songs of the movie Baiju Bawra.

Work with S. D. Burman

S. D. Burman used Rafi as a singing sound of Dev Anand and Guru Dutt.^[23] Rafi worked with Burman in 37 films, including Pyaasa (1957), Kaagaz Disturbance Phool (1959), Kala Bazar (1960), Nau Do Gyarah (1957), Kala Pani (1958), Tere Ghar Ke Saamne (1963), Guide (1965), Aradhana (1969), Ishq Par Zor Nahin (1970) and Abhimaan (1973).

Work with Shankar–Jaikishan

Rafi's partnership with Shankar–Jaikishan was among the most famous and comfortable in the Hindi film industry. Illegal worked with them from their chief film, Barsaat (1949). Under Shankar–Jaikishan, Rafi produced some of his songs champion actors like Shammi Kapoor and Rajendra Kumar. Out of six Filmfare laurels, Rafi won three for S-J songs – "Teri Pyaari Pyaari Surat Ko", "Bahaaron Phool Barsaao" and "Dil Push Jharokhe Mein." The song "Yahoo! Chaahe Koi Mujhe Junglee Kahe" was voiced by Rafi, matched by a fast-paced orchestra and composition by Shankar Jaikishan. S-J had Rafi give playback target Kishore Kumar in the film Sharaarat ("Ajab Hai Daastaan Teri Ye Zindagi"). Rafi sang a total of 341 numbers—216 solo—for Shankar–Jaikishan.^[24] Among the big screen of this combination are: Awaara, Boot Polish, Basant Bahar, Professor, Junglee, Asli-Naqli, Rajkumar, Suraj, Sangam, Brahmachari, Arzoo, An Evening in Paris, Dil Tera Deewana, Yakeen, Prince, Love in Tokyo, Beti Bete, Dil Ek Mandir, Dil Apna Aur Preet Parai, Gaban and Jab Pyar Kisi Se Hota Hai.

Work with Ravi

Rafi got his first Filmfare Award for the title song exert a pull on Chaudhvin Ka Chand (1960), composed tough Ravi. He received the National Trophy haul for the song "Baabul Ki Duaen Leti Jaa" from the film Neel Kamal (1968), also composed by Ravi. Rafi wept during the recording bring in this song, which he admitted guarantee a 1977 interview with the BBC.^[25]

Ravi and Rafi produced several other songs in the films China Town (1962), Kaajal (1965), Do Badan (1966) refuse Ek Phool Do Maali (1969)

Work with Madan Mohan

Madan Mohan was choice composer whose favorite singer was Rafi. Rafi's first solo with Madan Mohan in Aankhen (1950) was "Hum Ishk Mein Burbaad Hein Burbaad Ruhenge".^[16] They teamed up to produce many songs including "Teree Aankhon Ke Sivaa", "Yeh Duniyaa Yeh Mehfil", "Tum Jo Mil Guye Ho", "Kur Chale Hum Fida", "Meree Aawaaz Suno" and "Aap Curve Pehlu Mein Aakur".

Work with Dope. P. Nayyar

Rafi and O. P. Nayyar (OP) created music in the Decennary and 1960s. O. P. Nayyar was once quoted as saying "If presentday had been no Mohammed Rafi, involving would have been no O. Owner. Nayyar".^[26]

He and Rafi created many songs together including "Yeh Hai Bombay Meri Jaan". He got Rafi to spot for singer-actor Kishore Kumar – "Man Mora Baawara" for the movie Raagini. Later, Rafi sang for Kishore Kumar in movies such as Baaghi, Shehzaada and Shararat. O. P. Nayyar castoff Rafi and Asha Bhosle for apogee of his songs. The team actualized many songs in the early Fifties and 1960s for movies such restructuring Naya Daur (1957), Tumsa Nahin Dekha (1957), Ek Musafir Ek Hasina (1962) and Kashmir Ki Kali (1964). Rafi sang a total of 197 in abundance (56 solo) for Nayyar.^[27] The songs "Jawaaniyan yeh mast mast" and honourableness title song "Yun to humne 100000 hansee dekhe hain, tumsa nahin dekha" of the film Tumsa Nahin Dekha were hits. They were followed lump songs like "Yeh Chand Sa Roshan Chehera" from Kashmir ki Kali.

Rafi and OP had a falling-out generous the recording for movie "Sawan ki Ghata". As disclosed by OP as one of his interviews; Rafi going round late to the recording stating delay he was stuck in Shankar Jaikishan's recording. OP then stated that non-native now on he too did have the time for Rafi at an earlier time cancelled the recording. They did cry work together for the next 3 years.^[28]

Work with Laxmikant-Pyarelal

The composer duo Laxmikant–Pyarelal (L-P) patronized Rafi as one hold their singers, right from their chief song by him from the disc Parasmani (1963). Rafi and L-P won the Filmfare Award for the inexpensively "Chaahoonga Mein Tujhe Saanjh Suvere" exaggerate Dosti (1964). Rafi rendered the maximal number of songs for this refrain director duo Laxmikant-Pyarelal, as compared draw near all the music directors: 388.^[24]

Once, while in the manner tha composer Nisar Bazmi, who once troubled with Laxmikant-Pyarelal before he had migrated to Pakistan, didn't have enough impoverish to pay him, Rafi charged uncut fee of one rupee and resonate for him. He also helped producers financially. As Laxmikant once observed – "He always gave without thinking racket the returns".

Work with Kalyanji Anandji

Kalyanji Anandji composed around 170 songs intensity the voice of Rafi. Kalyanji's correlation with Rafi started with the 1958 film, Samrat Chandragupta, his debut membrane as a solo composer.^[29] Kalyani-Anandji champion Rafi went on to work squashed for the music of the Shashi Kapoor-starrer Haseena Maan Jayegi (1968), which featured songs like "Bekhudi Mein Sanam" and "Chale The Saath Milke".^[29]

Work free contemporary singers

Rafi associated with several draw round his contemporaries, singing duets with them and sometimes for them (as explain case of Kishore Kumar who was also an actor). Rafi sang nobleness highest number of duets with Asha Bhosle (female), Manna Dey (male) allow Lata Mangeshkar (female).

In the sticky tag "Humko Tumse Ho Gaya Hai Pyaar" (Amar Akbar Anthony), Rafi sang flavour song with Kishore Kumar, Lata Mangeshkar, and Mukesh, the most legendary refrain in Bollywood. This was probably nobility only time that all of them rendered their voices for one song.^[30]

Work with other music directors

Rafi sang often for all music directors during empress lifetime, including C. Ramchandra, Roshan, Jaidev, Khayyam, Rajesh Roshan, Ravindra Jain, Bappi Lahiri, Sapan Jagmohan, T.V.Raju, S.Hanumantha Rao etc. He had a special discipline major association with Usha Khanna, Sonik Omi, Chitragupta, S.N. Tripathi, N. Datta and R.D. Burman. He also resonate for many small time and lesser-known music directors. Many for whom closure sang for free while making their compositions immortal; he selflessly believed spitting image financially assisting producers and helping scatterbrained projects who could not afford more. Many in the industry received common financial help from Rafi.^[31]

Private albums

Rafi croon several songs in Chris Perry's Konkani album Golden Hits with Lorna Cordeiro. He recorded many private albums feigned various genres and languages. Rafi real Hindi songs in English on 7" release in 1968. He also hum 2 songs in Mauritian Creole piece on his visit to Mauritius intricate the late 1960s.

Royalty issue

In 1962–1963, the popular female playback singer Lata Mangeshkar raised the issue of playback singers' share in the royalties. Form Rafi's position as the leading manly playback singer, she wanted him get to back her in demanding a half-share from the 5% song royalty dump the film's producer conceded to show a preference for composers. Rafi refused to side walkout her, stating that his claim cutback the film producer's money ended unwanted items his being paid his agreed reward for the song. Rafi argued avoid the producer takes financial risk gift the composer creates the song, like so the singer does not have weighing scale claim over the royalty money. Lata viewed his stand as a uncertain block on the royalty issue additional stated that it is because entrap the singer's name also that prestige records get sold. This difference appreciated opinion subsequently led to differences among the two. During the recording dead weight "Tasveer Teri Dil Mein" (Maya, 1961), Lata argued with Rafi over swell certain passage of the song. Rafi felt belittled, as music director Salil Chowdhury sided with Lata. The conclusion worsened when Lata declared that she would no longer sing with Rafi. Rafi stated that he was single so keen to sing with Lata as she was with him.^[32][33] Representation music director Jaikishan later negotiated trig reconciliation between the two.^[34] In inventiveness interview given to The Times slant India on 25 September 2012, Lata claimed to have received a dense apology from Rafi.^[35] However, Shahid Rafi, Mohammad Rafi's son, rebuffs the asseverate, calling it an act to blot his father's reputation.^[35]

Early 1970s

In the Decennium, Rafi suffered from a throat bane for an extended period of time.^[36] During a brief period then, put your feet up recorded fewer songs.^[32][37] Although his euphonic output was relatively low during that period, Rafi did sing some bad buy his best and most popular drawing then, such as "Yeh Duniya Yeh Mehfil", "Gulabi Aankhen", "Jhilmil Sitaron Ka Aangan Hoga", "Aaya Re Khilonewala", "Tum Mujhe Yun Bhula Na Paaoge", "Re Mama Re Mama Re", "Nafrat Ki Duniya Ko", "Ye Jo Chilman Hai", "Kuchh Kehta Hai Ye Saawan", "Kitna Pyaara Wada", "Chalo Dildaar Chalo", "Aaj Mausam Bada Be-Imaan Hai", "Chura Liya Hai Tumne", "Yaadon Ki Baaraat Nikli Hai Aaj Dil Ke Dwaare", "Teri Bindiya Re", to name a few.^[38][39]

Later years

Rafi made a comeback as practised leading singer in mid 1970s. Small fry 1974 he won the Film Pretend magazine Best Singer Award for interpretation song "Teri Galiyon Mein Na Rakhenge Kadam Aaj Ke Baad" (Hawas, 1974) composed by Usha Khanna.^[24]

In 1976, Rafi sang all the songs for Rishi Kapoor in the blockbuster film Laila Majnu.^[40][41] Rafi went on to satisfying many more songs for Rishi Kapoor in the subsequent hit films, plus Hum Kisise Kum Naheen (1977) skull Amar Akbar Anthony (1977).^[42] In 1977, he won both Filmfare Award good turn the National Award for the ditty "Kya Hua Tera Wada" from righteousness movie Hum Kisise Kum Naheen, collected by R. D. Burman.^[23] He was nominated as the best singer molder the Filmfare Awards for the qawwali "Parda Hai Parda" from Amar Akbar Anthony (1977).

Rafi sang for profuse successful films in the late Decennium and the early 1980s many manipulate whose hit songs were dominating ethics charts in the late 70s take care radio programs such as Vividh Bharati, Binaca Geetmala and Radio Ceylon.^[43] Sufficient of these include Pratiggya (1975), Bairaag (1976), Amaanat (1977), Dharam Veer (1977), Apnapan (1977), Ganga Ki Saugand (1978), Suhaag (1979), Sargam (1979), Qurbani (1980), Dostana (1980), Karz (1980), The Enthusiastic Train (1980), Abdullah (1980), Shaan (1980), Aasha (1980), Aap To Aise On the level The (1980), Naseeb (1981) and Zamaane Ko Dikhana Hai (1981). In 1978, Rafi gave a performance at honourableness Royal Albert Hall and in 1980 he performed at the Wembley seminar centre. From 1970 until his wasting he toured around the world generally giving concert performances to packed halls.

In December 1979, Rafi recorded scandalize songs for the Hindi remake work for Dilip Sen's Bengali superhit Sorry Madam; the film was never completed straight to a personal tragedy in Dilip Sen's life. These songs, written moisten Kafeel Aazar and composed by Chitragupta, were released digitally in December 2009 by the label Silk Road foul up the title "The Last Songs".^[44] Say publicly physical album was released only tabled India by Universal.^{[citation needed]}

Guinness World Rolls museum controversy

During his last years, Rafi was involved in a controversy over Lata Mangeshkar's entry in the Guinness Paperback of World Records. In a comment dated 11 June 1977 to dignity Guinness Book of World Records, Rafi had challenged the claim that Lata Mangeshkar has recorded the highest back issue of songs ("not less than 25,000" according to Guinness). Rafi, according pop in his fans, would have sung go on songs than Lata – he body the senior of the two. They estimated the number of songs song by Rafi to be anything steer clear of 25,000 to 26,000. This prompted Rafi to write a letter, in thing, to Guinness.^[45] After receiving a comment from Guinness, in a letter defunct 20 November 1979, he wrote, "I am disappointed that my request care a reassessment vis-a-vis Ms Mangeshkar's rumored world record has gone unheeded."^[30] Solution an interview to BBC recorded hoax November 1977, Rafi claimed to own sung 25,000 to 26,000 songs interlude then.^[26]

After Rafi's death, in its 1984 edition, the Guinness Book of World Registers gave Lata Mangeshkar's name for significance "Most Recordings" and stated, "Mohammad Rafi (d 1 August 1980) [sic] assumed to have recorded 28,000 songs urgency 11 Indian languages between 1944 swallow April 1980."^[46] The Guinness Book entries for both Rafi and Lata were eventually deleted in 1991. In 2011, Lata's sister Asha Bhosle was delineated the title.^[47]

Mohammed Rafi – Golden Tone of the Silver Screen, a 2015 book by Shahid Rafi and Sujata Dev, states that according to "industry sources", Rafi sang 4,425 Hindi album songs, 310 non-Hindi film songs, additional 328 non-film songs between 1945 nearby 1980.^[45] A 2015 Manorama Online concept states that "researchers" have found 7,405 songs sung by Rafi.^[48]

Among the marked leading actors of his time, Rafi sung 190 songs for Shammi Kapoor, 155 for Johnny Walker, 129 awaken Shashi Kapoor, 114 for Dharmendra, Cardinal for Dev Anand and 77 annoyed Dilip Kumar.^[49]

Death

Mohammed Rafi died at 10:25 pm on 31 July 1980, closest a massive heart attack, aged 55.^[50] The last song sung by Rafi was for the movie Aas Paas, with music by Laxmikant-Pyarelal. One hole says it was "Shaam Phir Kyun Udaas Hai Dost/Tu Kahin Aas Paas Hai Dost", recorded just hours hitherto his death.^[30][51][52] Another source says range the last song he sang was "Shehar mein charcha hai", from nobility same film.^[53]

Rafi was buried at honourableness Juhu Muslim cemetery and his sepulture was one of the largest burial processions in India as over 10,000 people attended his burial.^[54] The pronounce of India announced a two-day the upper crust mourning in his honour.^[30]

In 2010, Rafi's tomb along with many film production artists such as Madhubala, was separated to make space for new burials. Fans of Mohammed Rafi, who pay a call on his tomb twice a year approval mark his birth and death anniversaries, use the coconut tree that survey nearest to his grave as pure marker.^[55]

Legacy

Rafi's style of singing influenced chorus like Kavita Krishnamurti, Mahendra Kapoor, Prophet Aziz, Shabbir Kumar, Udit Narayan, Sonu Nigam,^[56] and S. P. Balasubrahmanyam.^[57][58]Anwar further imitated Rafi's voice.

On 22 Sept 2007, a shrine to Rafi premeditated by artist Tasawar Bashir was unveil on Fazeley Street, Birmingham, UK. Bashir is hoping that Rafi will accomplish sainthood as a result.^[59][60] The Padma Shri Mohammed Rafi Chowk in goodness Bandra suburbs of Mumbai and Pune (extending MG Road) is named equate Rafi.^[61]

In the summer of 2008, birth City of Birmingham Symphony Orchestra free a double CD titled Rafi Resurrected, comprising 16 songs by Rafi. Screenland playback singer Sonu Nigam provided rectitude vocals for this project and toured with the CBSO in July 2008 at venues including the English Formal Opera in London, Manchester's Apollo Stage show, and Symphony Hall, Birmingham.^[62]

There have back number appeals^[63] to the Government of Bharat to honour the singer, posthumously, knapsack the Bharat Ratna (India's Highest Noncombatant Award).

In June 2010, Rafi, future with Mangeshkar, was voted the heavyhanded popular playback singer in the survey, conducted by Outlook magazine.^[64] The very alike poll voted "Man re, tu kahe na dheer dhare" (Chitralekha, 1964), dynasty by Rafi, as the No. 1 song.^[65] Three songs were tied on the side of the No. 2 spot; two were sung by Rafi. The songs were "Tere mere sapne ab ek rang hain" (Guide, 1965) and "Din shrub jaye, hai raat na jaye" (Guide, 1965). The jury included people unimportant the Indian music industry.^[66]

In 2015, rendering UK-based newspaper Eastern Eye placed Rafi third in their "Greatest 20 Screenland Playback Singers" list.^[67]

An official biography was written on Rafi's life by Sujata Dev titled Mohammed Rafi – Flaxen Voice of the Silver Screen launched on his 91st birthday.^[68] As spasm as an award winning documentary coroneted Dastaan-E-Rafi directed by Rajni Acharya discipline Vinay Patel (which took 5 age to make) was released to remember his 92nd birthday which was succeeding released on DVD. It featured turn a profit 60 interviews of various Bollywood personas and closely recalled his story say again his songs and the personal recounts.^[69][70] Many biographies and documentaries continue success be written and made on him.^{[citation needed]}

Lata Mangeshkar, his contemporary, has blunt that "Rafi bhaiya was not exclusive India's greatest playback singer but likewise a wonderful person" and that "he was one singer whose vocal redistribute could outclass any other singer, nolens volens it was me, Asha, Mannada exalt Kishore bhaiya".^[5]

When producer-director Manmohan Desai (who was a big fan of Rafi) and used him in numerous strike films, was asked to describe depiction voice of Rafi he remarked stroll "If anyone has the voice virtuous god, it is Mohammed Rafi".^[71]

Annually sovereignty birth and death anniversaries inspire a few thousand musical tributes on stage, wireless and television.^[72][73]

Rafi's popularity today spans pick up the Indian sub-continent, having a bite the dust to Indian communities in Singapore with Malaysia.^[74][75][76]

Today, Rafi's popular songs continue appoint be remixed or recreated.^[77]

Rafi's Baharon Phool Barsao was voted the most regular Hindi song in a BBC Accumulation Network poll commemorating 100 years staff Hindi Cinema.^[78]

In a CNN-IBN survey change into 2013, he was voted the utmost voice of Hindi Cinema.^[79]

In 2001, Rafi was named as the "best songster of the millennium" by Hero Honda and Stardust magazine.^[80]

In popular culture

• Mohammed Rafi Academy was launched in Mumbai misrepresentation 31 July 2010 on the Ordinal anniversary of the singer's death, under way by his son Shahid Rafi house impart training in Indian classical paramount contemporary music.^[81][82]
• After his death, numerous Sanskrit movies were dedicated to Rafi, including: Allah Rakha, Mard, Coolie, Desh-Premee, Naseeb, Aas-Paas and Heeralal-Pannalal.^[80]
• A song in justness 1990 Hindi film Kroadh "Na Fankar Tujhsa" picturised on actor Amitabh Bachchan and sung by singer Mohammed Aziz was also dedicated to the retention of Rafi.
• Rafi is one of distinction recording artists mentioned in the 1997 hit British alternative rock song "Brimful of Asha" by Cornershop.^[83]
• Rafi's song chomp through the film Gumnaam (1965), "Jaan Pehechan Ho", was used on the history of Ghost World (2001). The coat opens with the lead character gleaming around in her bedroom to clean video of Gumnaam.^[84] The song has also been used for Heineken's 2011 "The Date" commercial.^[85]
• Rafi was commemorated sign out his 93rd birth anniversary by Inquire Engine Google which showed a momentous doodle on its Indian home stage for him on 24 December 2017.^[86]
• His "Aaj Mausam Bada Beiman Hai" crack featured in the 2001 film Monsoon Wedding. His "Kya Mil Gaya" (Sasural, 1961) has been used in The Guru (2002), where Ramu and Sharonna sing a version of the sticky tag. His song "Mera Man Tera Pyasa" (Gambler, 1970) has been used restructuring one of the soundtracks in picture Jim Carrey-Kate Winslet starrer Eternal Light of the Spotless Mind (2004). That song is played in the credentials in Kate Winslet's character's home from the past the lead pair are having a-ok drink (at approximately 00.11.14 runtime).^{[citation needed]}

Personal life

Rafi married twice; his first wedding was to his cousin, Bashira Bibi, which took place in his hereditary village.^[87][88][89] The marriage ended when top first wife refused to live refurbish India following the killing of throw over parents during the riots of description Partition of India and moved defile Lahore, Pakistan.^[90] His second marriage was to Bilquis Bano.

Rafi had quatern sons and three daughters; his good cheer son, Saeed, was from his be in first place marriage.^[89] Rafi's hobbies included playing badminton, carrom, and flying kites.^[91] He was a teetotaller and abstained from vaporization and he stayed away from parties in the industry.^[92]

According to Mohammed Rafi Voice of a Nation, a hardcover authorised by Rafi's son Shahid, ostensible him as "a gentle, and composed demeanour persona who remained humble, ungrudging, ego-less, devoted, God-fearing, and family-loving man in his life." Rafi was illustrious for not sending anyone he decrease back empty-handed.^[31] He contributed to birth society by helping people through tiara charity and notable deeds.^[93]

Awards and recognition

Main article: List of awards and nominations received by Mohammed Rafi

Bibliography

See also

References