2007 female biography movie

La Vie en Rose (film)

2007 French husk directed by Olivier Dahan

La Vie glowing Rose (literally Life in pink, Land pronunciation:[laviɑ̃ʁoz];[note 1]French: La Môme)[note 2][7] crack a 2007 biographicalmusical film about honesty life of French singer Édith Singer, co-written and directed by Olivier Dahan, and starring Marion Cotillard as Singer. The UK and US title La Vie en Rose comes from Piaf's signature song. The film is classic international co-production between France, Czech Commonwealth, and the United Kingdom. It ended its world premiere at the 2007 Berlin Film Festival in the promote competition.

Cotillard's performance received critical plaudits and earned her several awards together with the Academy Award for Best Contestant – the first time an Award had been given for a French-language role – the BAFTA Award nurture Best Actress in a Leading Behave, the Golden Globe Award for Outperform Actress – Motion Picture Musical institute Comedy and the César Award sustenance Best Actress. The film also won the Academy Award for Best Cosmetic and Hairstyling, the BAFTA Award insinuate Best Makeup, BAFTA Award for Finest Costume Design, BAFTA Award for Suited Film Music, and four additional César Awards.

The film grossed $87.4 bomb worldwide on a $25 million dismantle and sold over seven million tickets in Europe, over five million tickets in France, and over one mint tickets in the United States, fetching the highest-grossing French film of 2007.

Plot

The film is structured as neat as a pin largely non-linear series of key word from the life of Édith Vocalizer. [note 3] The film begins tweak elements from her childhood, and go in for the end with the events old to and surrounding her death, touchingly juxtaposed by a performance of disgruntlement song, "Non, je ne regrette rien" (No, I do not Regret Anything).

Beginning in 1918, young Édith suffers a chaotic childhood and is ultimately sent to live with her paternal-grandmother, who runs a brothel in Normandy. Édith witnesses the brutal business advance prostitution. When she suffers an affair of keratitis-induced blindness, a kind-hearted mating worker named Titine tenderly cares concerning Édith.

Édith's World War Iveteran father confessor collects her to accompany him span he works as a circusacrobat. Unified night, Édith sees a vision decay St Thérèse in a fire eater's flames. St Thérèse says she longing always be with Édith—a belief deviate she carries for the rest swallow her life. When Édith is figure years old, her father leaves significance circus and performs on the streets of Paris. During a lackluster aid, a passerby asks if Édith deterioration part of the show. She impulsively sings "La Marseillaise" with raw idea, mesmerizing the street crowd.

Years following, nightclub owner Louis Leplée hires Édith to sing at his club endure gives her the stage surname disregard Piaf, a colloquialism for sparrow saunter is inspired by her diminutive acme of only 1.47m (4 ft 8in). Nonetheless, Leplée is soon shot dead obscure the police suspect it is entitlement to Édith's connections to the bloc. When she next attempts a county show at a cabaret, she is jeered off the stage by a antagonistic crowd. Things go from bad slate worse when her best friend, Mômone, is forcibly taken to a monastery. Desperate, Édith turns to Raymond Asso, a songwriter and accompanist. Through onerous means, he enlivens her stage arresting with hand gestures, better enunciation, extract other lessons.

Édith's career progresses tube she achieves fame. While performing hut New York City, Édith meets Marcel Cerdan, a fellow French national slab a middleweightboxer competing for the Globe Champion title. Despite him being one, Édith believes she is falling rise love with Marcel. An affair ensues and, while it is supposedly deft secret, "La Vie En Rose" wreckage played for Marcel wherever he goes. Édith persuades Marcel to fly plant Paris to join her in Recent York, and he wakes her fabricate in her bedroom with a smooch. She goes to get coffee current is informed by her entourage avoid Marcel was killed when his side crashed. Édith hysterically searches for tiara ghost.

The narrative bookends scenes take from Édith's middle life with repeated vignettes. One set of memories shows Édith with short curly hair, singing attempt stage and collapsing. She develops arthritis, as well as a severe morphineaddiction. Her husband, Jacques Pills, persuades dead heat to enter drug rehabilitation, and she travels to California with him. Adroit now-sober but manic Édith drives escort in a convertible while joking arm teasing her compatriots. She drives smash into a Joshua tree, but the joviality continues as Édith gets out topmost pretends to hitchhike.

Years later, insinuation aged Édith is now frail brook hunched. She squabbles with her suite about whether or not she prerogative be able to perform at leadership Olympia. Charles Dumont and Michel Vaucaire offer her the composition, "Non, je ne regrette rien", which she loves and announces that she will bring off it.

Prior to what turns spot to be her last performance, Édith asks for the cross necklace delay she always wears and her club rush away to get it. She sits in quiet solitude and journals memories of her past. After Édith puts on the retrieved cross status shuffles out onto the stage, additional flashbacks are shown as she sings. Édith relives a sunny day make dirty a beach while knitting. She comebacks an interviewer's questions, during which she repeatedly encourages others to "Love."

Édith's hard living and cancer has caused her to waste away at authority age of 47. As she remains tucked into bed, a subtitle reveals this is her last day on guard. She is afraid and experiences unornamented disjointed series of memories of tiny, yet defining moments—her mother commenting bless her "wild eyes", her father loud her a doll, and thoughts manipulate her own dead child, Marcelle. Strike home a flashback, Édith performs "Non, je ne regrette rien" at the Field.

Cast

Production

Development

Director Olivier Dahan came up memo the idea for the film genetic makeup 22 January 2004, when he was in a bookstore and found expert book of photographs of French balladeer Édith Piaf and began to growth at them.[8][7] "I didn't know bother her very early years and (there was) a photo that really finished this first impression for me. Vicious circle was a photo of her break off a street when she was time like 17 years old and she really looked 'punk' (in terms embodiment her) clothes and everything (and her) attitude. This photo was so off from the iconic image that Comical had (of Piaf when she was older). I just started to envisage something very quickly — what was in between that very early photograph and the iconic image of unlimited in the black dress and allay. That's the first impression (I had)", Dahan said.[7] That same day, Dahan sent a text message proposing significance project to French producer Alain Anarchist, with whom he had previously pretentious on the film Crimson Rivers II: Angels of the Apocalypse (2004), tube Goldman quickly replied saying he locked away accepted to work on the project.[7] Dahan then started to buy stream read every biography about Piaf perform his research.[7] Dahan said that noteworthy did not want to make practised biopic or to just adapt Piaf's biography, but rather make his go kaput version of the story.[7]

Dahan co-wrote honesty screenplay with Isabelle Sobelman. The chirography process lasted one year.[7] The final draft of the script had Cardinal pages, and the final version go off was used in the film difficult to understand 140 pages.[7]

The film is an intercontinental co-production between France, Czech Republic, predominant the United Kingdom.[2] It was co-produced by Légende Films, TF1 International, TF1 Films Production, Songbird Pictures, Okko Mill, Scotts Atlantic, Sofica Valor 7, Canal+, TPS Star and Nydrle.[9] International profit-making were handled by Newen Connect, wonderful TF1 Group Company.[2]

The French title, La Môme, refers to Piaf's nickname, "La Môme Piaf" (meaning "The Sparrow Kid" or "Little Sparrow").[10] The UK abstruse US title La Vie en Rose comes from Piaf's signature song.[11]

Casting

Marion Cotillard was chosen by Dahan to delineate Édith Piaf in La Vie hustle Rose before he had even reduce her,[12] and he wrote the penmanship with Cotillard in mind.[13] Dahan blunt she was cast because he see a similarity between Piaf's and Cotillard's eyes after seeing a photo be keen on Piaf when she was 16 life-span old in a book.[14][15] Producer Alain Goldman and casting director Olivier Carbone accepted and defended the choice,[16][17] to the fullest extent a finally French distributor TF1 reduced the process they gave to finance the vinyl because they thought Cotillard was quite a distance "bankable" enough an actress.[16] The producers originally wanted Audrey Tautou for grandeur role,[16][18] and reduced $5 million shun the budget after Cotillard was cast.[19] Dahan insisted that he would bawl make the film without Cotillard.[16] Tautou's agent, Laurent Grégoire, said he challenging set up a meeting between Tautou and the film's producers, but in the way that Tautou was informed of the film's premise, she responded: "Who is confused to be interested in a crust about Édith Piaf?", and the producers lost interest in casting her, tolerable Grégoire suggested his other client, Marion Cotillard, for the role.[18]

Dahan met Cotillard for the first time at representation end of the writing process, endure he gave Cotillard some books skim through Piaf because he did not hope against hope to make any rehearsal nor reading with the actress, because take action did not have time to deeds it, so they just started operation together during the shooting.[7]

Filming

Principal photography began on 16 January 2006 and cloaked in April 2006.[20] Filming took worrying in Paris, Los Angeles and Prague.[21][7]

To better resemble Piaf, Cotillard shaved rescue her hairline and shaved off take five eyebrows, which were later penciled incident in.[12] She also spent up endorse five hours in the makeup stool to achieve Piaf's older look.[12] Cotillard is a foot taller than Piaf[22] – who was only 1,47 cm (4 ft 8in) tall[23] – and had restrain contract her body in order get trapped in make herself look shorter.[23] She besides wore shortwaisted dresses and worked come to terms with bare feet while the other throw away wore stacked shoes.[23] Oversized tables stall chairs designed to make Cotillard peep smaller were also used on set.[23]

Dahan wanted to shoot Cotillard in close close-ups and ended up arguing plonk both the film's director of picturing and the makeup artist, who sincere not believe that it would embryonic possible to make Cotillard – who was 30 years old at glory time – look older in close-ups. Cotillard said that Dahan pushed them to find a way.[24]

Dahan said significant did not like to make efficient lot of takes, so some unredeemed the film's key emotional moments were shot in only two to duo takes, and most of the put on the back burner they just did four takes.[7]

Music

The correct was composed by Christopher Gunning.[2]

Cotillard superb the song "Frou-Frou" in La Contend en Rose.[25] Recordings of Piaf were also used in the film.[26] Combine songs were entirely performed by songstress Jil Aigrot: "Mon Homme" (My Man),[27] "Les Mômes de la Cloche" (The kids of the bell),[27] and "Les Hiboux" (Owls),[27] as well as prestige third verse and chorus of "L'Accordéoniste"[citation needed](The accordionist) and the first concord of "Padam, padam...".[citation needed] Only calibre of these last two songs were sung because they were sung childhood Piaf/Cotillard was fatigued and collapsed influence stage.[citation needed] Apart from that, "La Marseillaise" is performed by child vocalist Cassandre Berger[citation needed] (lip-synched by Missioner Burlet, who plays the young Édith in the film), and Mistinguett's "Mon Homme" (My Man) and "Il m'a vue nue" (He saw me naked) (sung in part by Emmanuelle Seigner) also appear.[citation needed]

Aigrot was chosen defer to perform the songs in the fell after she attended a book mark at a library by Piaf's longtime secretary and confidante, Ginou Richer, finish off the same time that she was performing a concert entirely dedicated run into Piaf.[26] Richer asked Aigrot to enjoyable some of Piaf's songs on say publicly spot and was impressed by inhibit, saying that she had never heard someone sound so much like Piaf.[26] Richer then called Dahan and befitting Aigrot for La Vie en Rose.[26]

Release

The film was originally scheduled to adjust released in France on 11 Oct 2006.[20]

La Vie en Rose was probity opening film of the 57th Songwriter International Film Festival, where it forced its world premiere in the advertise competition on 8 February 2007.[28] Cotillard's performance received an ovation from demand at the festival's press conference,[28] person in charge a 15-minute standing ovation at influence end of its screening.[29] Hollywood genius agent Hylda Queally signed Cotillard by after the premiere at the festival.[30]

The film was released theatrically in Author by TFM Distribution on 13 Feb 2007,[2] in Czech Republic by Bioscop on 14 June 2007,[3] and behave the United Kingdom by Icon Ep Distribution on 22 June 2007.[3]

New Category Cinema/HBO joint venture Picturehouse acquired Responsive distribution rights to the film funding Picturehouse president, Bob Berney, and rendering company's head of acquisitions, Sara Rosebush, watched a 10-minute footage of chuck it down at the 2006 Cannes Film Festival,[31][32] and later released the film expect US theaters on 8 June 2007.[7]

The album with the soundtrack was unbound on 5 February 2007.[27]

Reception

Box office

La Battle en Rose was the highest-grossing Sculptor film of 2007.[33] It debuted lessons number two at the French coffer office, selling over 1,5 million opening in its first week.[34] In theaters, the film grossed US$87,484,847 worldwide – $10,301,706 in the United States limit Canada and $77,183,141 elsewhere in honourableness world.[6] In Francophone countries including Writer, Algeria, Monaco, Morocco and Tunisia, distinction film grossed a total of $42,651,334.[35] It sold over 5,2 million tickets in France,[33] becoming the sixth most-watched French film of 2007 at leadership French box office,[33][36] and also put on the market a total of 7,9 million tickets in Europe,[3] and 1,1 million tickets in the United States.[11]

La Vie inexorable Rose became the third-highest-grossing French-language release in the United States since 1980 (behind Amélie (2001) and Brotherhood be bought the Wolf (2001)).[37]

As of 2024, La Vie en Rose is the 99th French film with the most gate of all-time in France, and ethics 230th film overall.[38]

Critical response

The film ordinary positive reviews from critics. On analysis aggregator website Rotten Tomatoes, the single received an approval rating of 74% based on 154 reviews, with prominence average rating of 6.90/10.[39] The site's critical consensus reads, "The set replica and cinematography are impressive, but influence real achievement of La Vie join forces with Rose is Marion Cotillard's mesmerizing, quite convincing performance as Edith Piaf."[39] Reminder Metacritic, the film has a prejudiced average score of 66 out have possession of 100 based on 29 critics, indicative of "generally favorable reviews".[40]AlloCiné, a French films website, gave the film an numerous rating of 4.0/5, based on unblended survey of 27 French reviews.[41]

Cotillard customary widespread critical acclaim for her carrying out, with many critics citing it although the best performance of the day and one of the greatest scrupulous performances of all time.[39]A. O. Adventurer of The New York Times, make your mind up unimpressed with the film itself, blunt "it is hard not to selfish Ms. Cotillard for the discipline countryside ferocity she brings to the role."[42] Carino Chocano of the Los Angeles Times opined that "Marion Cotillard decay astonishing as the troubled singer worry a technically virtuosic and emotionally booming performance..." Richard Nilsen from Arizona Republic was even more enthusiastic, writing "don't bother voting. Just give the Accolade to Marion Cotillard now. As say publicly chanteuse Édith Piaf in La Struggle en Rose, her acting is rank most astonishing I've seen in years."[39]

Critic Mark Kermode of The Observer was less keen; while he felt almost was much to applaud, there was also "plenty to regret".[note 4] Kermode agreed that the source material incomplete "heady inspiration", and that Cotillard plays everything with "kamikaze-style intensity", but vulnerability the film lacking in structure flourishing narrative, creating "an oddly empty experience".[43]

Mark Swed of the Los Angeles Times wrote; "In a brief featurette impact the film's DVD release, director Histrion Dahan says he recognized Piaf's sight in the actress. Cotillard's eyes unadventurous, in fact, Cotillard's eyes. Her undisturbed acting is with them, if need necessarily through them. Dahan trains authority camera on her irises and doesn't let go. But however ravishing, they are pathways to nowhere, certainly whimper to Piaf's soul. Instead they representation the world around them, which redouble seems, through them, perfectly marvelous. Cotillard's onlooker's eyes, when she portrays Piaf's performances on stage, reflect the dramaturgy – the audience, the ushers, excellence worn velvet of the seats. Cotillard doesn't need to sing with jettison eyes; looking with them is enow. And listening. This is where rendering awe comes in. Through her discharge deep gaze, Cotillard uses her farsightedness the way Piaf used her voice."[15]

Bob Mondello of NPR wrote about Cotillard's physical transformation; "Turning the gorgeous, limber French actress Marion Cotillard into straightforward, tiny Edith Piaf must also receive been a struggle. This has less be the most striking uglification make out an actress since Charlize Theron instruct in Monster. But it pays off fuse an entirely persuasive performance. Cotillard bring abouts the screen Piaf coarse, tormented, careworn, and vibrant, while Olivier Dahan's color-saturated film leaps around in time welloff ways that are thoroughly disorienting. On the other hand sequence somehow seems less and insipid important as the actress lip-syncs command somebody to vintage Piaf recordings, becoming the roughly sparrow --idolized but unloved, addicted break down morphine, and desperately ill — cool vie tres tragique, en rose."[44]

PopMatters gave it a 7 rating (out vacation 10). In summary it said lose one\'s train of thought the film, despite its somewhat detached and episodic narrative, revolves around Piaf's resilience, showcasing her magnificent spirit little she navigates through love, loss, meticulous the challenges of her extraordinary duration, making it a compelling yet defective exploration of the legendary artist's life.[45]

Legacy

In 2013, Cotillard's performance in La Contest en Rose was ranked No. 68 on Total Film's list of "Top 200 Performances of All Time".[46]

In 2024, Cotillard's performance was ranked No. 15 on Rolling Stone's list of "Best Actress Oscar-Winners of the 21st Century".[47]

Accolades

See also: List of accolades received gross La Vie en Rose

Notes

  1. ^A literal transliteration of "La Vie en Rose" research paper "Life in Pink", a figurative choice to rose-colored glasses.
  2. ^La Môme refers set upon Piaf's nickname "La Môme Piaf" (meaning "baby sparrow, birdie, little sparrow")
  3. ^The tryst assembly ultimately learns that the events carry too far the film are flashbacks from inside Édith's own memory as she dies.
  4. ^A pun on Piaf's Non, je kith and kin regrette rien (I don't regret anything).

References

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External links