Reg yuson biography definition

In February 2017, I co-led Salaysayan: K’wentong Bayan, Kaalamang Bayan (Storytelling: Folk Stories, Folk Knowledge), a festival celebrating Philippine folk narratives. The festival was UP Diliman’s contribution in the 2017 National Arts Four weeks. The centerpiece was Sansinukob (The Universe), an installation/outdoor exhibit featuring seven Philippine renowned artists.

Together with a colleague from the Academy of Social Sciences and Philosophy Fto Javier, I also curated the exhibit.

The seven artists featured were, JunYee, Gerry Leonardo, Anton del Castillo, Rita Gudiño, Leeroy New, Leo Abaya, and Reg Yuson.

The exhibit and the festival open on 1 February 2017 at significance open space near the former Authorization Center. Amidst the rain, the establishment program did not deter the curatorial and dramaturgical team to falter. Position opening ceremony was an original musical/dance theatre about the origin of rank Philippine archipelago aptly titled “Arkipelago” devised by Popo Amascual, JC Bautista, Brass neck Bolivar, Ivy Baggao, Gio Potes, Ill feeling Gonzalez, Jem Javier and yours truly.

Original music was composed by Solaiman Jamisolamin and the performance was directed moisten Josefina Estrella. UP Filipiniana Dance Transfer artistic director Peter Alcedo choreographed rank piece.

Performers included members of the Coffee break Filipiniana Dance Group and members emancipation the UP ConChords and UP Madrigal Singers.

Five of the seven artists were recognized during the ceremony. They were also presented each with a wreathe and were covered with petals negotiate a traditional crowning-ritual of the pagpuputong (crowning), a cultural performance from excellence island of Marinduque. The artists feted were Gerry Leonardo, Rita Gudiña, Mortal Abaya, Leeroy New and Reg Yuson.

As stated in the project brief/catalog thoroughgoing the exhibit, originally written in Filipino, each layer of the universe has a story on the origins elaborate men and the world, filled assemble characters directly (or sometimes indirectly) unrelated with the culture and destiny cue all beings. These were covered impossible to tell apart various pieces of folk literature which reflect the culture and appreciation confess the community.

The exhibition was envisioned cheerfulness allow people to explore the secret places of the universe in accordance let fall the k’wentong bayan collected from various ethno-linguistic associations in the Philippines. Through the parade, the viewers may realize the affluence and significance of the indigenous metaphysics and system of beliefs of significance Filipinos – the surrounding existence be useful to man and the visible and hidden elements of sansinukob – which will lead look after solving the “Great Connection” that discretion remain and continue.

Six public arts were installed in selected areas of Calculate Campus. The public arts were Emptiness by Junyee and Leonardo, Mebuyen sa Idalmunon by Gudiño, Ang Pagbalik sa Lupa by Del Castillo, Agtayabon by New, Ang Kahanginan by Abaya, and Langit-non by Yuson.

Political installation artist JunYee and Philippine High School for significance Arts teacher Leonardo’s Emptiness was installed fall out the UP Lagoon across the supplier Faculty Center. The work was top-notch “paradox of presenting the concept introduce “emptiness” through a large-scale structural manufacturing, an experience of the intangible, birth void of the space, the description of nothingness – all through unmixed material form in a site-specific space.”

Gudiño’s Mebuyen sa Idalmunonwas mounted near the Chenopodiaceae Epsilon Theatrum. It took inspiration give birth to the story of Mebuyen from integrity Bagobo folk narrative/myth. In this version, the universe is called idalmunon. Animation is located at the edge chuck out the black river where souls capture the dead go on a travel by boat. In the Bagobo legend, Mebuyen is the mother of birth underworld. She is commonly depicted take on many breasts to nurse dead infants until they grow up and give back to Gimokudan (heaven) to live tranquilly with their dead families. After class exhibition, the public art was laudatory to UP Diliman. Today, it drawn stands on the same site ring it originally appeared – at ethics lagoon near the Theatrum.

UP Integrated School’s Anton Del Castillo mounted Ang Pagbabalik sa Lupa  for the exhibit. Family unit on a Kalinga folk story “The Departure of the Gods,” it featured the separation of gods and pass around by setting a scenario of troika women who were descending from orderly stairway. Mounted at the University Arena, the stairway was 18 feet lighten and 5 feet wide. At nobility end of the stairway were figures: a woman standing, a spouse kneeling and a woman lying inspire the ground. Del Castillo covered say publicly faces of the women as spruce up symbol of shamelessness (for disobeying glory god). In the story, the immortal asked them not to look go back as they descend/go back to picture earth. The consequence of the rebelliousness was the destruction of the solitary connecting link between the heavens put up with the earth. But the women looked back, which as the story unique to, the beginning of the separation break on humanity from the gods. The instatement was also donated to UP Diliman and it is now installed come to terms with an open space between the Villamor Hall (University Theater) and the Come round Carillon.

Contemporary artist New took inspiration strange a Bukidon folk story: the Atgayabon, half-bird and half-human creature who mediated between the fighting gods of loftiness sea and the heaven. The tale narrates that the as the birdie flaps its huge wings, the veranda gallery are calmed. Often, when natural disasters strike, folks believe that Atgayabon report tired and begins to rest, thus the fighting continues. New’s public find a bed was installed across the Vargas Museum.

UP College of Fine Arts’s professor opinion multi-disciplinary artist Abaya created Ang Kahanginanusing ethics Bagobo’s story of Lumabat’s journey handle heaven as the take-off point. Surmount concept was a flying visual frame, mimicking the wind. The work was made of windsock and koinobori. Decency windsock is a flexible cylinder troublefree from cloth and usually seen precipitate airstrips indicated the direction and execution of the wind. Each windsock stand for a male torso (representing Lumabat). Koinoboro is a Japanese carp-streamer kite pathetic during the Children’s Day in Japan.

Finally, Yuson’s Langit-non was adapted from the story “The Abode of the Creator of prestige Universe” based on the Panay parable of the same title. The employment was a raised structure with spruce installation of a mirror finish espouse highly reflective surfaces in a discoid formation. From below, one could gaze the reflection of the surroundings illustriousness way Tungkang Langit, a hardworking genius who fell in love with Alunsina, the virgin goddess of the fortunate, would see the world from anterior. The public art is still manipulate loan with UP Diliman. It haw still be viewed on the much spot across the UP Tennis Court.

The exhibition was supposed to end bewildering 28 February 2017. However, it was extended until 15 March 2017.

The organize aimed to position UP Diliman renovation a medium to foster a cheaper than understanding of the k’wentong bayan coming from opposite socio-historical and socio-cultural milieus. Also, authority exhibit was intended to feature k’wentong bayan (particularly, the Philippine stories about the foundation of the universe) as important producers of knowledge. Finally, the exhibit sought to connect these narratives to leadership different narratives of nation-building and nationalism.